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Music & computers.
ISSN: 10802770 Year: 1995 Publisher: San Francisco, CA : Miller Freeman, Inc.,

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Book
Schriften
Authors: --- ---
ISBN: 3928770268 Year: 1995 Volume: 7 Publisher: Hamburg Von Bockel Verlag


Book
Tudor keyboard music : c. 1520-1580
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ISSN: 05802954 ISBN: 0852498233 9780852498231 Year: 1995 Volume: 66 Publisher: London : Stainer and Bell for the Musica Britannica Trust,

Béla Bartók
Authors: ---
ISBN: 0714831646 Year: 1995 Volume: *10 Publisher: London Phaidon Press

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An early music dictionary : musical terms from British sources : 1500-1740
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ISBN: 0521416884 Year: 1995 Publisher: Cambridge [England] New York Cambridge University Press

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Book
Die Musik in Frankreich im 20. Jahrhundert
Authors: ---
ISBN: 389007197X Year: 1995 Publisher: Laaber Laaber Verlag

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Modern music and after
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ISBN: 0198165110 0198165781 Year: 1995 Publisher: Oxford Oxford university press


Book
Essays on medieval music : in honor of David G. Hughes
Authors: ---
ISBN: 0674267060 Year: 1995 Publisher: Cambridge (Mass.): Harvard university press


Book
Nigerian art music : with an introductory study of Ghanaian art music.
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ISBN: 9782015385 2821819722 9791092312133 Year: 1995 Publisher: Ibadan IFRA

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ART MUSIC IN NIGERIA is the most comprehensive book on the works of modem Nigerian composers who have been influenced by European classical music. Relying on over 500 scores, archival materials and interviews with many Nigerian composers, the author traces the historical developments of this new idiom in Nigeria and provides a critical and detailed analysis of certain works. Written in a refreshing and lucid style and amply illustrated with music examples, the book represents a milestone in musicological research in Nigeria. Although written essentially for students and scholars of African music, this interesting book will also be enjoyed by the général reader.

The Practice of performance : studies in musical interpretation
Author:
ISBN: 0521453747 0521619394 051155236X Year: 1995 Publisher: Cambridge : Cambridge University Press,

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The twelve essays in this volume reflect the most important trends in the study of musical performance. Three areas are investigated: the psychology of performance, the semantics of performance, and the relation between performance and analysis. The first section broaches fundamental issues such as text, expression, musical motion and the role of practice in the acquisition of expertise. The next four chapters address the shaping of structure and the projection of meaning in performance, while the last four consider performance as analytical paradigm, as dramatic narrative, as act of criticism, as temporal process. Among the distinguished international authorship are many accomplished performers whose practical experience ensures that the book contains vital and stimulating insights into the interpretation of music, and that it will speak to a wide musical audience.

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